The Propaganda

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Figure 1.2 Comic title, "Is this tomorrow: America under communism!"

The Propagandists

The international struggle for power between the United States and the Soviet Union meant that propaganda operations also advanced globally. In this way, almost "every aspect of human activity" was propagandized in every country around the world, including in America.9 Some aspects of propaganda remained the same, although not for too long. Over the course of the Cold War, beginning in 1945, propaganda often appeared in forms seen in previous wars such as anti-Communist and anti-Soviet posters, films, books, and comics (Figure 1.2) or recruitment efforts during the Korean and Vietnam Wars (Figure 1.3). The rise of McCarthyism in the government after Senator Joseph McCarthy (R., Wis) declared that Communists had "infiltrated" the Department of State, legitimized the Red Scare and the systemic hunt for Communists that followed. By simply denouncing celebrities, intellectuals, and anyone who disagreed with him as a Communist, McCarthy successfully destroyed reputations and careers and caused thousands of federal employees to be fired from their jobs. This fanned the Red Scare hysteria in the American public, especially after the Soviet Union started nuclear testing and war broke out in Korea and Vietnam.10 11   

However, the Cold War was complex; the US was fighting not only a military and political war but also a technological, economic, ideological, religious, and cultural war. Thus, the American government not only supported the anti-Soviet crusade by military means but there was also a significant uptick in government support of the arts to improve perception of American culture abroad. For instance, the State Department began several cultural initiatives, such as the Advancing American Art exhibit starting in 1946. Organized by J. LeRoy Davidson and Richard Heindel, the Department purchased over 70 paintings with over 30 more provided by the American Federation of Arts.12 13 The State Department also funded the American National Balle Theatre, renamed American Ballet Theatre (ABT) with encouragement from President Dwight D. Eisenhower. Determined to outflank the "Communists' prime cultural export," the State Department and other organizations (such as the Central Intelligence Agency) managed to send the ABT behind the Iron Curtain (Figure 1.4) and win over Soviet audiences.14 15 16 Not surprisingly then, the Olympic Games became a battleground not only for sportsmanship but political ideology as well.17 Internationally, the United States launched several propaganda campaigns aimed at the communist forces in Vietnam and Korea, hoping to combat anti-American propaganda.  

Target Audience

After World War 2, the military began openly recruiting both men and women into its various branches, although women were still barred from combat roles until the 21st century. There were more recruitment ads and posters aimed at women, and many emphasized the qualities of people wanted by the military, as seen in Figure 1.10, that did not prefer one gender over the other. They did however often target the poor and uneducated youth such as during the Vietnam War, certifying the military would not see a shortage of manpower.38 That is not to say gendered propaganda did not exist; plenty often portrayed beautiful women as victims of Communism (Figure 1.11) or used sex appeal to catch audiences' attention, such as in advertisements related to the War. Children were also clearly warned of the dangers of Communism with comics and books on the issue, such as the comic in Figure 1.12. In fact, thousands of copies of The Red Iceberg were distributed in Catholic schools during the Cold War.39

In Vietnam, the US government engaged in what is called "psychological operations" and assigned the Joint U.S. Public Affairs Office (JUSPAO) the task of winning over the "hearts and minds" of the South Vietnamese people and increase support for a pro-democratic South Vietnam.40 Also known as the "pacification" plan, the "hearts and minds" strategy was executed by separating civilians from guerrillas, providing "security from VC [Viet Cong] attacks," and improving quality of life via "social, economic, and political reforms."41 The JUSPAO also targeted North Vietnam masses and VC soldiers in an attempt to "undermine and eventually abolish" support for a communist government. Known as Chieu Hoi ("open arms"), those from the VC who surrendered were "guaranteed protection, medication, and rehabilitation with new jobs in the south," propagated via broadcasts and leaflets.42  

The Propaganda